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Untitled “While beneath the scaffold and mesh covering, architecture in New York City loses nuance to the rigid rectangular forms of construction. Through repeated woven patterns and perspective shifts the ordinary rectangle becomes an extraordinary tool with which to contemplate the surfaces of our city.”

A little history…

While I walked around NY looking at construction shed after construction shed, trying to pull inspiration out of the myriad configurations they took, I noticed again how ubiquitous they are around our city. I racked my brain for colors and pattern, complexity and simplicity, trying to envision my thoughts translated onto these surfaces. Many designs came to mind and over and over again I asked myself if I liked the design, but also how its repetition throughout the city might affect my continued appreciation of it. I thought to myself could I look at that everyday and possibly at many different locations? Many of the designs did not stand up to this criteria and in the end more complex patterns, arrangements of color fell to the side in favor of the simple black and white woven pattern I have been working with for the past few years in my public work. The pattern would transform the rigid structure of the architecture beneath, but allow the viewer to let it go relatively unnoticed if desired.

While I have been known to try to change my imagery often in order to remained un-branded as an artist and therefor escape criticism that I use the streets and advertising venues as advertising for myself, the woven pattern has continued in my work for a reasonable amount of time now. I promise that I will change this soon. Even as I write this I am working on a show for the Vincent Michael gallery which I promise will begin a departure from this simple, albeit affective design element.

DOB announcement PDF.